
Here I am near Binghamton, NY on my way to Northampton, MA for an artshow. As you can see weather was fair and the trees were in their peak. I've never seen trees so bright and full of intense color. Now I am a believer in the stories about the fall colors in New England.
Unfortunately the show was a bust-- I sold only four works on paper. The only artwork I saw moving with consistency was priced under $50 and my lowest priced pieces are around $80. The slow sales were to be expected after the worst week on Wall Street since the Great Depression. But it still hurt since this was, aside from my show in Chicago, the most expensive artshow of the year. The booth fees for the Paradise City artshows are steep, costing artists $750 for a basic booth. Paying for electricity is extra and something all artists do because the show is indoors. We were in a large white circus tent that had some holes in it. Some of the fabric artists complained of condensation dripping on their wares. The booths were strictly 10 x 10' with no wiggle room for storage.
All the signs I got from this show was that the show promoters were out to make as much money as they could off the artists. Because of the show's overall good reputation and steady jurying resulting in good quality of artwork the artists show up and we pay up. But based on this show's perfomance and my experiences at other shows this one is not worth the money. Artists hope for their expenses to be 10% of their sales at a given show. It's disheartening when the expenses aren't even met and you still have to pay for food, gas and lodging. Although I did enjoy the leaves and the crisp fall weather I don't think I will return to Northampton for awhile.

Artshows are interesting because of contacts that are made. Even with no immediate sales artists can still make friends, gallery contacts and take orders for commissions. I had a gallery contact and then did a brief video interview with a professional art coach. The Art Coach who interviewed me was Chuck DeWolfe from artmastermind.com.
Back in Virginia I have two commission pieces to work on for the remainder of October. Then it's on to planning for 2009. Big plans are in store.